Exhibition Schedule
Current
Forgotten
Brian Clamp, Juror
9/22-10/30/25
The Forgotten, people, places and belongings that once mattered, now unremembered, out of mind, left behind.
Items once significant to someone, personal, buildings, object, a person, a place that once had the importance to another, the possibilities are all around us.
Masks
Juror, Bootsy Holler
10/1 - 10/30/25
We all wear masks. At Halloween, Mardi Gras. At work we are one person, at home, another, and with friends we have yet more masks to choose from. We're looking for images with masks, literal and figurative.
An Introduction to the Virtual Gallery 2.0
Have an idea for an Exhibition? Drop us an Exhibition Proposal and we’ll Talk
WANT TO VIEW OUR PREVIOUS EXHIBITIONS? CLICK HERE.
The Magic of Light
Michael Pannier, Juror
8/15 - 9/30/25
It’s all about the light! Light and shadow have been the foundation of photography since the beginning. While illumination is important, darkness is an equally compelling component and, together, the elements of a successful photograph.
Telling Tales
Frances Jakubek, Juror
8/22 - 9/22/25
A Single image can have a powerful storytelling impact, change the way we see, and leave a lasting impression. Often, a signature image or motif is associated with an artist or photographer or project. We’re looking for images that stand on their own, able to tell a story without supporting images.
The Abandoned Landscape
Constance Lewis, Juror
8/1 - 8/30/25
Rural or urban, desert or jungle, ancient to recent. The SE Center is looking for photographers who appreciate the ravages of time and create compelling images reflecting those effects around us.
The Contemporary Portrait
Aline Smithson, Juror
7/1 - 7/30/25
The Portrait. We use portraits as objects of remembrance and reverence, of seduction and glorification. From the keepsakes in lockets as tiny remembrances of love, to the likenesses of leaders meant to inspire and seduce with their power.
The Modern Nude
William Earle, Juror
6/15 - 7/30/25
The fine art nude has been a celebrated subject of photography since the beginning and played an important role in establishing photography as a fine art medium. Early on, both in history and most photographers experience, the nude has been featured in a classical pose and setting, maturing to illustrating the human body as a sculptural abstraction, and with some pushing boundaries.
The Abstract Image
Adam Finkleston, Juror
6/1 - 6/30/25
The SE Center for Photography is looking for non-representational imagery, though it can be from found objects in nature, man made or figurative works. We're seeking images that do not attempt to represent external reality, but seek to achieve its effect using shapes, forms, colors, and texture.
Flora & Fauna
Darrell Gulin, Juror
5/1 - 5/30/25
Artists throughout the ages have been drawn to the vast and varied world of flora. What moves you? Do you celebrate the essence of beauty or strive to heighten recognition of the perilous path of our environment? Or is it the fauna, all the animal life of a particular region. We live with animals daily - wildlife, farmed, caged or free, many are our best friends, some we fear, yet others we admire.
The Architectural Image
Michael Pannier, Juror
4/1 - 4/30/25
The photographing of buildings and similar structures that are aesthetically pleasing and accurate representations of their subjects.Throughout the history of photography, buildings have been highly valued photographic subjects, mirroring society's appreciation for architecture and its cultural significance..
SE Center College Exhibition
Juror, Polly Gaillard
4/1 - 4/30/25
College Students (of any age) attending a college or university are invited to submit up to 10 images, photography or photo based art in the SE Center College Call. The Call is open theme - all subjects, media, digital, analog, or antique processes that show your best work.
Women by Women
Elinor Carucci, Juror
3/1-3/31/25
The history of photography has a long tradition of representing women as subjects but has less to say about women as artists. Today, the roles of women in photography are both behind the camera and in front of it. Who understands women better than women? The female perspective offers an important view of the many facets of womanhood and women’s role in society.
Grace Weston: Reclaiming the Muse
2/1 - 3/30/25
In her series, RECLAIMING THE MUSE, she reframes historic artworks and stories in contemporary terms to challenge the dominant doctrine of the patriarchal culture through an intersectional feminist lens.
When centering women, historically cast as objects of beauty or scorn, she aims to revitalize the muse with agency, furthering the issues important to me as a contemporary female artist in my contemporary Western society. She also challenges narrow views of sexuality which operate to oppress and limit the broad nature of identity, self-expression and attraction.
Shades of Black & White
2/1 - 2/28/25
Susan Burnstine, Juror
Monochrome photography, images produced with a single hue, rather than recording the colors of the object that was photographed.
Image © Jeff Schewe
Members Exhibition
12/1 - 1/30/25
Owen Riley, Juror
It’s that time again, the 2024-25 Members Show. Anything goes, all subjects, any photo based imagery. Analog and digital manipulation in all its forms welcome.
Image © Peter Foiles
SE Center Open
1/1 - 1/30/25
Tatum, Juror
Anything goes, all subjects, any photo based imagery. Analog and digital manipulation in all its forms welcome.
Image © John Diephouse
